Its otherness speaks to the possessor's capacity for otherness: it is the possessor, not the souvenir, which is ultimately the curiosity. The danger of the souvenir lies in its unfamiliarity, in our difficulty in subjecting it to interpretation. There is always the possibility that the reverie's signification will go out of control here, that the object itself will take charge, awakening some dormant capacity for destruction. This appropriation of reverie by the object forms the basis for certain horror stories: "The Monkey's Paw" ...(148)
It awakes the "dormant capacity" not in the object or animal alone but in the "possessor" who is possessed. Eugene Thacker's work with zombies is an example of human animality possessed.
How could I forget this Nietzche from "Truth and Lies in the Non-Moral [extra-moral] Sense":
In some remote corner of the universe, poured out and glittering in innumerable solar systems, there once was a star on which clever animals invented knowledge. That was the highest and most mendacious minute of "world history"—yet only a minute. After nature had drawn a few breaths the star grew cold, and the clever animals had to die.