Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Saturday, February 11, 2012

Neanderthals challenge humanism



The walls of the humanist subject turn out to be rather porous. 

We are part Neanderthal or as as Riel-Salvatore says “Recent sequencing of ancient Neanderthal DNA indicates that Neanderthal genes make up from 1 to 4 percent of the genome of modern populations – especially those of European descent. While they disappeared as a distinctive form of humanity, they live on in our genes." 

The oldest works of art are not by humans, but by neanderthals. Anthropologists have found neanderthal paintings of seals on a cave in Spain's Costa del Sol dating from approx. 40,000 BCE. Scientist Jose Luis Sanchidrian describes it as a "bombshell" to how we think about culture.

UPDATE: a Neanderthal built structure from stalagmites in the Bruniquel Cave in southern France. The structure dates to approximately 175,000 years ago. Its purpose is unknown. It was not thought that neanderthal built elaborate structures but this circle structure deep in a cave suggests some interest in building. Its purpose remains unknown. 

Thursday, February 19, 2009

Cryptozoology



The wonderful thing about cryptozoology is that it works with virtual worlds, alternative time scales, biotopes that run parallel or occasionally intersect our own. University College London has a list of ongoing events and ways of thinking about this topic.

Tuesday, January 27, 2009

Amy Stein & lines of domestication and wildness

Chris Pair just introduced me to this interesting work by Amy Stein. She photographs the blurry line of biotopes--between human and non-human worlds. The friction here is palpable. World bump against each other and mark and re/mark upon each other.

See her 2008 book Domesticated.
And recent work on taxidermy and skins called Skin Trade.

Tuesday, January 20, 2009

INTERSPECIES art show



Can artists work with animals as equals? Interspecies uses artistic strategies to stimulate dialogue about the way we view the relationship between human and non-human animals, in the year of celebrations of Darwin's birth 200 years ago.

Private view 6pm, Friday 23 January 2009
at Cornerhouse, Manchester, UK
70 Oxford Street, M1 5NH
Exhibition open
24 January - 29 March 2009, Tue - Sun

www.artscatalyst.org

Interspecies
comprises new works by four artists - Nicolas Primat, Kira O'Reilly, Antony Hall and Ruth Maclennan, and existing pieces by Rachel Mayeri, Beatriz Da Costa and Kathy High. All the artists in Interspecies question the one-sided manipulation of non-human life forms for art. They instead try to absorb the animal's point of view as a fundamental part of their work and practice.

Kira O'Reilly presents an action/installed performance featuring herself and a sleeping female pig, Delilah, Falling Asleep With A Pig, taking place at the private view on Friday 23 January, and on Saturday 24 January. The work addresses the ethics of human and non-human animal interaction, acknowledging the implicit ambivalence in the appropriation of animals as a resource. The artist will inhabit a gallery redesigned for the comfort and welfare of a pig. At some point the pig and/or the artist will sleep. Documentation of the event will be shown in the exhibition.

Nicolas Primat is the only artist in the world that specialises in working with monkeys and apes in collaboration with primatologists. He will show video works resulting from his residencies at the Primatology station, CNRS, Marseille, working with baboons, at the Pasteur Institute, Cayenne, Guyana, working with Saimiris (squirrel monkeys) and at the Animal Park of Apenheul, Holland, working with Bonobo apes.

Anthony Hall's work ENKI allows electric fish and humans to commune on the same level, avoiding the use of language as such; instead stimulating a shared empathy through physical connection. The project explores the possibilities of cross species communication and human to fish relationships, in particular the electric fish. Is it possible that a symbiotic relationship between human and electronic fish can be effected through passive and active electronic media?

Ruth Maclennan’s work for Interspecies explores the relationship between a bird of prey and the human being who trains it. Like eagles and falcons, the symbolic life of the hawk exceeds its ‘natural’ life, which is itself encouraged by human intervention—in breeding, nesting and the habitat. This is the latest stage in a project that looks at people, architecture, the city, and landscape, from the perspective of a cyborg ‘hawk-camera’.

Two existing works will also be shown in the touring exhibition: Rachel Mayeri's Primate Cinema, which casts human actors in the role of non-human primates seeking mates, and Beatriz Da Costa's PigeonBlog which provides an alternative way to participate environmental air pollution data gathering, equipping urban homing pigeons with GPS-enabled electronic air pollution sensing devices.

INTERSPECIES Events at Cornerhouse

Sat 24 January, 2 – 4pm
Artists’ Open Forum
Nicolas Primat, Antony Hall, Ruth Maclennan, Rachel Mayeri and Beatriz da Costa
Join us for this open forum, a unique opportunity to meet the artists and discover more about the ideas behind Interspecies.

Sun 25 January, 4pm
Kira O’Reilly in Conversation
Join performance artist Kira O’Reilly and curator Rob La Frenais, as they discuss Kira’s exhibition piece in relation to her work on sleep and dream research with humans and pigs.

Mon 26 January, 6 - 8pm
Wed 28 January, 2 - 4pm
Workshop: Primate Cinema – How to act like an animal
Participate in a performance workshops led by Interspecies artist Rachel Mayeri, exploring how primates communicate. Through discussion and video clips, learn about animal behaviour in the wild and in cinema and find out about primatology. You will get the chance to engage in physical theatre techniques and learn how to improvise movement and social interactions as non-human primates.


Cornerhouse, 70 Oxford Street, Manchester, M1 5HN
Box office: 0161 200 1500
Opening hours: Tues – Sat: 11.00 – 18.00 Thurs until 20.00
Sun 14.00-18.00
e: info@cornerhouse.org
www.cornerhouse.org

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The Arts Catalyst
Toynbee Studios
28 Commercial Street
London E1 6LS
UK
e admin@artscatalyst.org
www.artscatalyst.org

The Arts Catalyst commissions art that experimentally and critically engages with science. We bring together people across the art/science divide and beyond to explore science in its wider social, political and cultural contexts. We produce provocative, playful, risk-taking projects to spark dynamic conversations about our changing world.

Thursday, January 15, 2009

UK Animal Art + Symposium



The Animal Gaze exhibition graciously put together by Rosemarie McGoldrick is now touring. The next round of art (and art workshops) and symposium will be in 2010.

Animals and Art events

Some contemporary Animal Art events:

Why Look at Animals?
Monday, 19 January / 7 PM / The Power Plant

"Artists and scholars discuss the figure of the animal in contemporary art, culture and politics, with an eye towards forging a creaturely community that crosses species. Syracuse-based Canadian artist duo Emily Vey Duke and Cooper Battersby’s new video Beauty Plus Pity, currently showing at The Power Plant, explores perverse emotional, ethical and existential relationships among adults, children and animals. Matthew Brower is the curator of the University of Toronto Art Centre and an art historian focusing on animals in visual culture. Bill Burns is an acclaimed Toronto-based artist responsible for the Safety Gear for Small Animals project. Moderator Jon Davies is Assistant Curator of Public Programs at The Power Plant and a critic interested in the cultural representation of animals."

[Looks to be a really fine show! On a side note: I've an aversion to the primacy of the visual and the gaze and the 'why look' which keeps animals at a (visual) distance and does not risk our own personhood... or if it 'risks' it does so only by bringing the animal within the social/cultural/psychological discourse of The Gaze with all the language ramifications (Lacan, Freud, and even Merleau-Ponty) associated with this visual/conceptual configuration.]

Also the wonderfully titled posthuman: "Trying to Cope with Things that Aren't Human"